History of Art and Architecture, Harvard University
Concentration AY 2023-24
Professor Jennifer L. Roberts, Director of Undergraduate Studies (DUS)
Professor Carrie Lambert-Beatty, Senior Thesis Advisor
The History of Art and Architecture concentration offers training in the historical interpretation and critical analysis of the visual arts and architecture.
The concentration is an effective core to a liberal arts education, and not merely pre-professional training for future art historians working in the academy or in the museum. The history of art and architecture is virtually unique among academic disciplines in studying the products of societies in every part of the world over the entire span of human history, from Paleolithic cave paintings to the works of our closest contemporaries. Furthermore, the concentration develops skills of visual discrimination and verbal expression fundamental to many fields of inquiry and action.
Art history is itself a multifaceted discipline embracing many different methods, perspectives, and interests. Sometimes it deduces from works of art the time and place of their making, or the identity of their makers. Sometimes it examines how concepts, ideals, and sensibilities of people of the past are expressed in—and shaped by—their art. Sometimes it explores within large-scale fabrications (buildings, towns, cities) the dynamic between human and natural or technological worlds. These and other approaches are reflected in the teaching and scholarship of the History of Art and Architecture faculty.
Training in the critical analysis of art seeks to clarify the perception—and understanding—of how artworks relate to the techniques and materials used in their making, and to the environment in which they are seen. It also fosters visual literacy and the ability to make and explain judgments of cultural resonance, social impact, and formal coherence. Instruction in critical analysis is aided by the department’s partnership with the Harvard Art Museums, one of the world’s greatest teaching museums, comprising the Fogg, Busch-Reisinger, and Sackler museums. This offers students a unique opportunity for first-hand study of original works of art in many media. Other collections on campus commonly used in teaching include those of the Peabody Museum, HMANE (Harvard Museum of the Ancient Near East), and the Houghton Library. The Fine Arts Library also boasts expansive special collections which comprise unique books, facsimiles, albums, prints, and photographs.
Concentration requirements ensure that students are well versed in both the historical and critical facets of the field. Generally, coursework offers coverage of the history of art and architecture, while a sequence of small-group tutorials develops critical skills. For students with a special interest in architecture, the concentration offers courses on architectural history and urban planning, while also helping to advise in, and coordinate, relevant coursework undertaken beyond the department. (Architecture Studies is a track within the concentration, jointly administered by the History of Art and Architecture and the Graduate School of Design. The track has its own requirements, which are detailed below.) Students wishing to pursue other specific interests may receive advising from appropriate faculty as arranged by the Director of Undergraduate Studies.
Courses in the History of Art and Architecture undergraduate curriculum are structured as a three-tier system, consisting of a sequence of entry-level and field-specific introductory courses, upper-level courses, and tutorials.
HUMAN 20, “A Colloquium in the Visual Arts,” and HAA 11, “Landmarks of World Architecture,” are general, conceptual introductions (to world art from pre-history to the present, and the history of world architecture, respectively), each of which could serve as a point of entry into the courses and concentration of History of Art and Architecture. Other double-digit lecture courses in HAA, or those offered by HAA faculty through the program in General Education, are also suitable points of entry into the concentration.
Tutorials are small-group seminars which discuss the methodology of the discipline or examine a specific research topic in the discipline. These are intended to provide increasing expertise in critical and analytical thinking and serve as a basis for independent senior research projects. The senior thesis offers a student the opportunity to apply in greater depth one or more of the methods and aims developed in courses and tutorials, although theses often deal with subjects not included in class work.
The concentration in History of Art and Architecture can be pursued in conjunction with several other concentrations, most commonly Art, Film, and Visual Studies, English, Anthropology, History and Literature, or Romance Languages. Together with the Departments of the Classics, Near Eastern Languages and Civilizations, and Anthropology, the Department of History of Art and Architecture initiates students in the study of archaeology.
Requirements for all concentrators, joint and full, provide exposure to a variety of areas within the history of art and architecture, as well as allow for the selection of a major field focus (see General Requirements, 1.5.3).
Students concerned with joint concentration, credit for work done elsewhere, and late transfer into History of Art and Architecture should consult with the Director of Undergraduate Studies. All concentrators should arrange advising appointments with the Director of Undergraduate Studies at the start of each term. General advising about course offerings and concentration requirements is provided by the Undergraduate Program Coordinator.
The double concentration facilitates in-depth, structured coursework in two separate concentrations. Students undertaking a double concentration should follow the requirements set in General Requirements or Requirements for Honors Eligibility. The coursework in these two fields may not substantially overlap with each other. A limit of 8 credits (generally 2 courses) may be double-counted between the two concentrations. Students may apply to write theses in both concentrations but may receive honors in only one concentration, which must be designated as the honors field. Departmental honors are determined solely by the designated honors field.
Students should consult the Harvard College Handbook for full details of the regulations regarding double concentrations.
Architecture Studies is a track within the History of Art and Architecture concentration, jointly administered by the Department of History of Art and Architecture and the Graduate School of Design. It enables the study of the history, theory, and practice of architecture within the spirit of a liberal arts education. It is not intended as a pre-professional architecture degree. Required courses include a sequence of introductory studio courses designed especially for the track, as well as a wide variety of courses in the history and theory of architecture, including courses offered at the Graduate School of Design.
Within the Architecture Studies track, concentrators study architecture within the broader context of art and visual culture. Interested students should contact the HAA Undergraduate Program Coordinator for further information.
Architecture stands at the intersection of creative imagination, practical realization, and social use, comprising not only material structures of human occupation, but also the dynamic processes that shape human action and experience. The Architecture Studies track integrates technical and humanistic methods of inquiry with written and visual modes of representation. It includes the study of architecture, cities, landscapes, designed objects, ornament, architectural photography, and material culture throughout the centuries and across the globe, as well as areas of special contemporary concern such as issues of sustainability and social justice, new forms of urbanism, and the use of digital media for visualization and analysis.
1–99 | Primarily for Undergraduates |
91 | Supervised Reading and Research |
96 | Special Seminar or Laboratory Course |
97 | Sophomore Tutorial |
98 | Junior Tutorial |
99 | Senior Tutorial |
100–199 | For Undergraduates and Graduates |
200–299 | Primarily for Graduates |
300–399 | Graduate Courses of Reading and Research |
Note: 200-level courses may be open to advanced undergraduates with prior approval from the course instructor. 300-level courses are open to graduate students only.
Departmental academic advising is provided by the faculty, by the Undergraduate Program Coordinator (Marcus Mayo), and by the Director of Undergraduate Studies, Professor Jennifer L. Roberts, who meets individually with concentrators to discuss course selection and tutorials (usually at the beginning of each term and by appointment at other times). Students working on a senior thesis are advised by the Senior Thesis Advisor, Professor Carrie Lambert-Beatty.
Students are reminded, however, that they are each ultimately responsible for the fulfillment of concentration requirements and should check regularly on the current status of their progress. Procedural information and advice is available throughout the year in the Undergraduate Office. Please contact the Undergraduate Program Coordinator, Marcus Mayo at 485 Broadway,3rd floor, Office 308, <marcus_mayo@fas.harvard.edu>. The Senior Thesis Advisor is Professor Carrie Lambert-Beatty and the Director of Graduate Studies is Professor Felipe Pereda. The Department Chair is Professor Joseph Koerner.
History of Art and Architecture concentrators benefit from the unusually rich University collections of Harvard’s five museums: the Fogg, Sackler, Busch-Reisinger (-the Harvard Art Museums), HMANE (Harvard Museum of the Ancient Near East), and Peabody museums containing Western, Asian, and ethnographic art. Concentrators often have an opportunity to be involved in aspects of museum operations, working with curators and museum staff to research pieces in the collection and/or share in the mounting of exhibitions. Harvard’s library holdings in art and archaeology include more than 250,000 books and more than 1,500,000 photographs and slides.
The Museum of Fine Arts, the Isabella Stewart Gardner Museum, and the Institute of Contemporary Arts are three of Boston’s great cultural resources. Entrance to these institutions is free to undergraduates who show their Harvard ID cards at the door.
Two departmental funds are available to support senior thesis writers looking to travel as part of their research: The Matthew Abramson '96 Traveling Fellowship, and The Joseph Pulitzer. Jr. '36 Beneficiary Aid Fund. More information can be found on the Prizes, Grants and Opportunities page on the department website.
The department employs a Departmental Writing Fellow to support undergraduate concentrators in any aspect of art-historical writing. Vaishnavi Patil is the Departmental Writing Fellow for the academic year AY 23-24. Undergraduate concentrators can find more information about her role and make an appointment on the Writing Center website.
Concentrators | AY 2012-2013 | AY 2013-2014 | AY 2014-2015 | AY 2015-2016 | AY 2016-2017 | AY 2017-2018 | AY 2018-2019 | AY 2019-2020 | AY 2020-2021 | AY 2021-2022 |
History of Art and Architecture | 69 | 63 | 62 | 45 | 36 | 28 | 35 | 35 | 24 | 43 |
History of Art and Architecture + another field | 1 | 2 | 3 | 0 | 0 | 4 | 7 | 8 | 7 | 6 |
The Department of History of Art and Architecture at Harvard University offers the broadest range of courses in the discipline available in North America today. The faculty offer courses covering the diverse historical and cultural geographies of the world—as well as their points of intersection, dialogue, and exchange—in the fields of African, African-American, American, Ancient, architectural history and theory, Baroque and Rococo, Byzantine, Chinese, European 18th and 19th centuries, South Asian, Islamic, Japanese, Latin American/Pre-Columbian, Medieval, Modern and Contemporary, Photography, and the Renaissance (Northern and Southern). The scope of art and architecture studied is matched in variety by both approaches and methods of study. The secondary field is structured to provide students with a balance between introductory and advanced courses of instruction and to promote understanding of the world's art traditions present and past. The secondary field offers students an opportunity to explore their interest in the history of art and architecture in the broadest of possible terms, or equally to pursue a focused academic interest for its own sake or that complements a course of study in their primary concentration. Courses of study are enhanced by direct access to the collections of the Harvard Art Museums, the Peabody Museum, HMANE (Harvard Museum of the Ancient Near East), and the Houghton Library among others.
Note. There is no secondary field in architecture studies. Studio courses intended for architecture-track students (ie. HAA 96A & B, HAA 92R) cannot be taken for secondary field credit. This also applies to GSD courses and non-HAA courses.
In addition to first-year seminars and General Education courses taught by History of Art and Architecture faculty, Harvard Summer School courses in the history of art and architecture may also count towards secondary field credit. Those courses credited for the Secondary in History of Art and Architecture must be led by faculty holding a teaching appointment in the HAA Department. There is no grade minimum for courses to count towards the secondary field but, with the exception of first-year seminars, courses must be taken for a letter grade. Students pursuing a secondary field will not be given preferential access to limited enrollment courses, which in our concentration are generally undergraduate pro-seminars and seminars for graduate students. In limited enrollment courses, instructors will decide whether or not a secondary field student is admitted to the course based on such factors as level of preparation, stated interest, and/or need.
Students pursuing the secondary field in History of Art and Architecture are strongly advised to contact your intended Secondary Field with a list of courses you plan to count towards the Secondary, inform the department using the secondary fields web tool and to seek academic advising from the Undergraduate Program Coordinator or Director of Undergraduate Studies before embarking upon this course of study. The initial meeting could occur at any stage after the concentration choice has been made, but ideally in the student's fourth or fifth semester. Academic advising and general mentoring in the course of secondary field study will also be provided by the Director of Undergraduate Studies and the Undergraduate Coordinator at the student's request. The Director of Undergraduate Studies is Prof. Jennifer L. Roberts; the Undergraduate Coordinator is Marcus Mayo.